{"id":2400,"date":"2010-01-29T19:15:16","date_gmt":"2010-01-29T16:15:16","guid":{"rendered":"http:\/\/freshgoodminimal.ro\/?p=2400"},"modified":"2010-01-30T20:06:57","modified_gmt":"2010-01-30T17:06:57","slug":"sambata-sonora-3001","status":"publish","type":"post","link":"http:\/\/freshgoodminimal.ro\/?p=2400","title":{"rendered":"Sambata Sonora 30\/01"},"content":{"rendered":"<p style=\"text-align: center;\"><a title=\"poster-ss-sapt-grea\" rel=\"lightbox[pics2400]\" href=\"http:\/\/freshgoodminimal.ro\/wp-content\/uploads\/2010\/01\/poster-ss-sapt-grea.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"attachment wp-att-2401 centered\" src=\"http:\/\/freshgoodminimal.ro\/wp-content\/uploads\/2010\/01\/poster-ss-sapt-grea.jpg\" alt=\"poster-ss-sapt-grea\" width=\"480\" height=\"677\" \/><\/a><\/p>\n<p>Aten\u0163ie !<br \/>\nSesiunea de audi\u0163ie \u00eencepe \u00een mod excep\u0163ional la ora 17.00<br \/>\nDurata : 1h.<br \/>\nProgram de sal\u0103 (in)complet despre piesele \u00een audi\u0163ie, disponibil S\u00e2mb\u0103ta.<\/p>\n<p>&#8220;Cheia criptic\u0103&#8221; a selec\u0163iei post-spectacol realizat\u0103 de S\u00e2mb\u0103ta Sonor\u0103 pentru S\u0103pt\u0103m\u00e2na Grea<br \/>\n(dup\u0103 Spectatorul Emancipat, conferin\u0163\u0103 sus\u0163inut\u0103 de Jacques Ranciere.)<\/p>\n<p style=\"text-align: center;\"><!--more--><\/p>\n<p>That&#8217;s all folks!<br \/>\nA privi este opusul lui a cunoa\u015fte.<br \/>\nStay tuned.<br \/>\nA privi este opusul lui a ac\u0163iona.<\/p>\n<p>Evident, regimurile optice ne fascineaz\u0103. Cunoa\u015ftem discursuri \u00eencruci\u015fate (bazate pe presupozi\u0163ii teoretice \u015fi politice despre performance \u015fi spectatorie?spectatorship) ce combat iluzia \u015fi pasivitatea mediate de arta care ne fur\u0103 propria noastra esen\u0163\u0103 prin spectacol.<\/p>\n<p>Nu suntem gata s\u0103 ne resemn\u0103m \u00een fa\u0163a puterii spectacolului; \u00abputere\u00bb avem \u015fi noi, spectatorii. Teatrul epic \u2013 Brecht \u2013 \u015fi teatrul cruzimii \u2013 Artaud \u2013 sunt polii \u015ftiintifici respectiv magici ai dezicerii noastre de simulacrum, reprezentare. \u015etim c\u0103 o revolu\u0163ie nu schimb\u0103 doar legi \u015fi institu\u0163ii, ci \u015fi forma senzorial\u0103 a experien\u0163ei umane. Ne-am dorit-o prea mult. \u00cen mod evident, mijloacele inteligente de comunicare prin spectacol suprim\u0103 audien\u0163a \u00een favoarea performan\u0163elor colective. Am ajuns dup\u0103 &#8217;89 azi la o dramaturgie a r\u0103scump\u0103r\u0103rii spectacolului prin care audien\u0163ele vii trebuie s\u0103 \u00eenve\u0163e a se opri din a mai fi simpli spectatori pentru a putea, \u00een sf\u00e2r\u015fit, \u00eencorpora atitudini la intersec\u0163ia dintre art\u0103 \u015fi politic\u0103.<\/p>\n<p>Vrem emancipare! Der\u00e2dem instruc\u0163ia; pedagogia este metafora unei ierarhii, ruptur\u0103 radical\u0103 continuu re\u00eennoit\u0103 pentru a nu ajunge niciodat\u0103 la suprimarea distan\u0163ei prin care cuno\u015ftin\u0163a creaz\u0103 ignoran\u0163a celorlal\u0163i.<\/p>\n<p>Ce-i de f\u0103cut? Trimiterile acestea t\u00e2mpesc. Emanciparea ar trebui s\u0103 fac\u0103 referin\u0163\u0103 la egalitate. \u00abNoul ignorant\u00bb trebuie s\u0103 fie tenace \u00een a-\u015fi ameliora comunicarea propriilor aventuri intelectuale \u015fi \u00een a comunica cu cele ale celorlal\u0163i. Twitter. O idee diferit\u0103 despre distan\u0163e. Fiecare trebuie s\u0103 se aventureze, s\u0103 traduc\u0103 pentru ceilal\u0163i, s\u0103 \u00eemp\u0103rt\u0103\u015feasc\u0103 cuno\u015ftin\u0163a cunosc\u0103torului \u015fi ignoran\u0163a ignorantului. Orice distan\u0163\u0103 este una \u00eentamplatoare, f\u0103r\u0103 ierarhie social\u0103. Orice \u00eencercare de a absorbi golul, de a restr\u00e2nge distan\u0163ele, de fapt constituie distan\u0163a.<\/p>\n<p>S\u0103 apreciem distan\u0163a+por\u0163ile-cu-cheie-grea+intimitatea. Cei ce privesc pot contempla idei sau prevedea viitorul. O pot face f\u0103c\u00e2nd \u00ab nimic \u00bb, doar privind. O putem (re)face \u015fi (re)ascult\u00e2nd. Credem c\u0103 exist\u0103 piese ce par a fi \u00een cuno\u015ftin\u0163\u0103 de cauz\u0103 \u015fi le propunem \u00eentr-un context apropriat: S\u0103pt\u0103m\u00e2na Grea. (Ele) au \u00abinterpretat lumea\u00bb pentru c\u0103 este deja o form\u0103 de a o transforma. In extremis, John Cage: \u00ab &#8220;I have nothing to say \/ and I am saying it \/ and that is poetry \/ as I needed it&#8221;\u00bb. O fizic\u0103 cuantic\u0103 \u00een care faci un poem cu poemul care este performat \u00een fa\u0163a ta sau \u00een urechile tale. Muzicieni, actori, dansatori sau performeri au f\u0103cut acela\u015fi lucru.<\/p>\n<p>Ranciere: nu mai suntem \u00een timpurile c\u00e2nd dramaturgii vroiau s\u0103 explice audien\u0163elor lor adev\u0103rul despre rela\u0163iile sociale \u015fi calea cea bun\u0103 de a sc\u0103pa de domina\u0163ie. Dar nu este suficient s\u0103 ne pierdem iluziile. Din potriv\u0103, se \u00eent\u00e2mpl\u0103 adesea ca pierz\u00e2ndu-\u015fi iluziile dramaturgii sau performerii s\u0103 creasc\u0103 presiunea asupra spectatorului: poate el va \u015ftii ce e de f\u0103cut, dac\u0103 performan\u0163a \u00eel transform\u0103, dac\u0103 \u00eel separ\u0103 de propria sa atitudine pasiv\u0103 de spectator \u015fi \u00eel face un participant activ \u00een lumea comun\u0103. Acesta este primul punct pe care reformatorii teatrului \u00eel \u00eemp\u0103rt\u0103\u015fesc cu pedagogii ce t\u00e2mpesc: ideea unei distan\u0163e \u00eentre dou\u0103 pozi\u0163ii. Chiar \u015fi atunci c\u00e2nd dramaturgul sau performer-ul nu \u015ftie ce vrea ca spectatorul s\u0103 fac\u0103, \u015ftie \u00eens\u0103 c\u0103 acesta trebuie s\u0103 fac\u0103 ceva: s\u0103 treac\u0103 de la pasiv la activ.<\/p>\n<p>&#8211; P\u0103streaz\u0103-\u0163i distan\u0163a. \u00cenva\u0163\u0103 ceva ce ei nu \u015ftiu. De fapt spectacolul este o chestie ter\u0163\u0103, la care \u015fi spectatori \u015fi performeri se pot referi, dar care \u00een acela\u015fi timp \u00eempiedic\u0103 o transmisie egal\u0103, nedistorsionat\u0103. Distan\u0163a trebuie s\u0103 existe (pentru a putea observa-selecta-compara-interpreta). Chiar dac\u0103 pierdem ideea de comunitate, ne emancip\u0103m ca spectatori sau ascult\u0103tori.<br \/>\n&#8211; Invalideaz\u0103 opozi\u0163ia dintre activitate \u015fi pasivitate la fel ca \u015fi schema (pedagogic\u0103) a \u00abtransmisiei egalizatoare\u00bb \u015fi ideea comunitar\u0103 despre teatru ce \u00eel transform\u0103 de fapt \u00eentr-o alegorie a inegalit\u0103\u0163ii.<br \/>\n&#8211; Efectele idiomului t\u0103u nu pot fi anticipate: cuvintele sunt doar cuvinte. Prea multe spectacole au pretins c\u0103 sunt cu mult mai mult. Cuvintele, pove\u015ftile \u015fi spectacolele, performance-urile ne pot \u00eenc\u0103 ajuta s\u0103 schimb\u0103m c\u00e2te ceva.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aten\u0163ie ! Sesiunea de audi\u0163ie \u00eencepe \u00een mod excep\u0163ional la ora 17.00 Durata : 1h. Program de sal\u0103 (in)complet despre piesele \u00een audi\u0163ie, disponibil S\u00e2mb\u0103ta. &#8220;Cheia criptic\u0103&#8221; a selec\u0163iei post-spectacol realizat\u0103 de S\u00e2mb\u0103ta Sonor\u0103 pentru S\u0103pt\u0103m\u00e2na Grea (dup\u0103 Spectatorul Emancipat, conferin\u0163\u0103 sus\u0163inut\u0103 de Jacques Ranciere.)<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-2400","post","type-post","status-publish","format-standard","hentry","category-weekend-warrior"],"_links":{"self":[{"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts\/2400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2400"}],"version-history":[{"count":0,"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts\/2400\/revisions"}],"wp:attachment":[{"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2400"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}