{"id":3064,"date":"2010-09-08T10:28:30","date_gmt":"2010-09-08T07:28:30","guid":{"rendered":"http:\/\/freshgoodminimal.ro\/?p=3064"},"modified":"2010-09-08T10:28:51","modified_gmt":"2010-09-08T07:28:51","slug":"camil-the-haunted-mix","status":"publish","type":"post","link":"https:\/\/freshgoodminimal.ro\/?p=3064","title":{"rendered":"Camil &#8211; The Haunted Mix"},"content":{"rendered":"<p style=\"text-align: center;\"><a target=\"_blank\" title=\"haunted_1\" rel=\"lightbox[pics-1283930623]\" href=\"http:\/\/freshgoodminimal.ro\/wp-content\/uploads\/2010\/09\/haunted_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"attachment wp-att-3063 centered\" src=\"http:\/\/freshgoodminimal.ro\/wp-content\/uploads\/2010\/09\/haunted_1.jpg\" alt=\"haunted_1\" width=\"480\" height=\"480\" \/><\/a><\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"100%\" height=\"81\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F5113769&amp;show_comments=false&amp;auto_play=false&amp;color=000000\" \/><embed type=\"application\/x-shockwave-flash\" width=\"100%\" height=\"81\" src=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F5113769&amp;show_comments=false&amp;auto_play=false&amp;color=000000\" allowscriptaccess=\"always\"><\/embed><\/object><\/p>\n<p>Ce este hauntologia si la ce ne foloseste ea? Lasandu-l la o parte pe Jacques Derrida, pe care recunosc ca nu l-am aprofundat, dincolo poate si de termenul tot mai vehiculat in critica muzicala. eu vad treaba cam asa: obscuritati la limita dintre genuri, protopercutii, early synth work, delayuri opulente, phasere ritualice, obsesie si repetitie. Atata vreme cat elementele astea sunt de regasit in rock psihedelic, dub-funk-you name it, ilustratie muzicala\u00a0 (la greu) sau orice alt gen, eu ma topesc de placere. Nu stiu exact cum sa descriu muzica asta ca pe un ansamplu, dar resimt un soi de entuziasm ezoteric cautand-o, ascultand-o si divulgand-o.<\/p>\n<p>Pentru degustatorii genului, urmeaza niste serate de miercuri in barul Shift.<\/p>\n<p style=\"text-align: center;\"><!--more--><\/p>\n<p style=\"text-align: center;\">1. Kim Fowley &#8211; Bad News from the Underworld<br \/>\n2. Pulp &#8211; This is Hardcore (SwedishErotica Mix)<br \/>\n3. Burnt Friedman &amp; The Nes Dub Players &#8211; Railway Place<br \/>\n4. Dub Narcotic Sound System &#8211; Waffle Ganger<br \/>\n5. Azymouth  -Maracana<br \/>\n6. Keith Le Blanc &#8211; I&#8217;ll Come Up with Something<br \/>\n7. Glass Museum &#8211; Day Tripper<br \/>\n8. Adn Crystall &#8211; Fucking French Chorale Swings<br \/>\n9. Clark Hutchinson &#8211; Improvisation on an Indian Scale<br \/>\n10. Albert Verrechia &#8211; Escape<br \/>\n11. Piero Umiliani &#8211; Protestation Juvenile<br \/>\n12. Dick Hyman &#8211; Give It Up Turn It Loose<br \/>\n13. Michel Legrand &#8211; Magic Concorde&#8217;s Bird<br \/>\n14. David Holland &#8211; Night Flight<br \/>\n15. William Gum &#8211; Boot &amp; Laurence Wiffin &#8211; Dramatic<br \/>\n16. Chumei Watanabe &#8211; Le Monde Parallele<br \/>\n17. Chumei Watanabe &#8211; L&#8217;Eternel Justicier<br \/>\n18. Bappi Lahiri &#8211; Everybody Dance With Papa<br \/>\n19. Bruno Spoerri &#8211; Gluckskugel (The Race)<br \/>\n20. Nico Fidenco &#8211; Fascinating Horror<br \/>\n21. Tri Atma &#8211; Yummy Moon<br \/>\n22. David Thomas &amp; The Pedestrians &#8211; The Crickets in my Flats<br \/>\n23. Roger Roger &amp; Nino Nardini &#8211; Expectation<br \/>\n24. D. Laberre &amp; Schnetzer &#8211; Nino<br \/>\n25. Tamori &#8211; Tamori&#8217;s Dream<br \/>\n26. Kim Fowley &#8211; Sunset Boulevard<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce este hauntologia si la ce ne foloseste ea? Lasandu-l la o parte pe Jacques Derrida, pe care recunosc ca nu l-am aprofundat, dincolo poate si de termenul tot mai vehiculat in critica muzicala. eu vad treaba cam asa: obscuritati la limita dintre genuri, protopercutii, early synth work, delayuri opulente, phasere ritualice, obsesie si repetitie. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-3064","post","type-post","status-publish","format-standard","hentry","category-sets"],"_links":{"self":[{"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts\/3064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3064"}],"version-history":[{"count":0,"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=\/wp\/v2\/posts\/3064\/revisions"}],"wp:attachment":[{"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freshgoodminimal.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}